Skip to content

VISUAL DISPATCH, VOLUME 14

Gabriel Moses

We were able to visit and interview Gabriel Moses during his latest photography exhibition, Fatima.

Running from November 14th to December 20th, Fatima is Gabriel Moses' latest photography exhibition, and it’s definitely worth checking out if you’re in New York City. This show marks his return after a successful exhibit last April at 180 Strand in London, and right now, it feels like Moses’ work is everywhere. His photography appears in high-profile projects like the Travis Scott ft. Playboi Carti music video for "FE!N," the ultra-limited edition of i-D magazine titled Brother’s Keeper, which he guest-edited alongside the boundary-breaking artist Slawn, and more.

I had the chance to visit the exhibit recently with my friends Crystal Okonkwo (who works at Esquire) and Antonio (a coworker from Milk). We arrived around 6:15pm, grabbed a glass of champagne, and took our time exploring the exhibit before the space got too crowded. While we were there, we ran into Gabriel and his mom, and I couldn't resist telling her how proud she should be of her son.

Gabriel smiled and shared how his Nigerian background influences his work, saying he’s inspired by the concept of “Black arrogance. It’s about Black pride, Black arrogance—knowing you’re worthy,” he told me.

Gabriel Moses’ photography masterfully celebrates Black identity by showcasing the strength, beauty, and depth of Black people. His work moves beyond stereotypes, capturing real, empowered moments that highlight the diversity of Black life. His cinematic style, marked by dynamic framing, rich lighting, and thoughtful color choices, gives each photo emotional weight— each one tells its own unique story. Moses also delves into the complexity of Black life, exploring themes like family, community, and resilience, ensuring his subjects feel fully real and not just symbols. Beyond the visual appeal, Moses' photography offers cultural commentary, addressing the need for more representation of Black voices in art and media, while challenging how race and representation are perceived in the art world.

Text by Ketia Jeune & Photos by Antonio McFarlane